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This is an attempt to give instructions or rather suggestions on how
to play the jew's harp in a virtuoso manner.
It is easy to play the jew's harp. You put the instrument against your
mouth and just start playing, see quickstart
for beginners.
Many sounds and effects are easily found by giving it a trial. I like
playing the jew's harp very much and have learned playing by self-study -
like presumably most players. May be the fact that playing the jew's harp
has been invented again and again by the players is one reason for the
diversity of playing techniques. A small gallery
of pictures from the jew's harp festival at Leipzig, Germany in 2007
illustrates some of this diversity.
There are few instructions on how to play, and mostly they do not teach
more than how to hold the instrument and pluck the reed. Well - actually
more is not necessary for a start. However, if you want to play music,
that is, shape sounds and tunes on the jew's harp intentionally, you need
to know playing techniques and the functioning of the instrument. These
instructions want to contribute to this knowledge: They describe and
illustrate a variety of playing techniques and give some background
informations on the instrument. For each technique a sound example is
provided.
The jew's harp is a rhythm as well as a melody instrument. The
instructions in the main part of this paper describe playing
techniques: How can different tunes and sounds be produced, and by
what means can rhythmic patterns be expressed (articulation)? How do you
play melodies?
Before that, a short paragraph deals with the two main types of jew's
harps and their different functioning, namely the bow-shaped
and lamellate instruments.
After the section on playing techniques I added an article on the physical
origin of the jew's harp sound and its tone row: Being an instrument with
a natural harmonic row, each jew's harp is provided with specific tones.
Which tones can be produced by a single jew's harp? This is a theoretical
subject, but it is worth some thought: The natural
harmonic row can be heard from your harp, and if you want to play
other notes, you are going against the physics of your instrument.
Enhanced possibilities, especially regarding harmonies, are opened up by changing several jew's harps while playing.
Finally you find some pieces of music I played
on different harps.
An internet search for "jew's harp" produces numerous interesting web
sites on, e.g., the history and culture of the instrument as well as
festival announcements. Some links:
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